Pronouns, Pictures, Stories, & Laughter
Personal Pronouns and Speechwriting
As you have read in SpeakerFrippNews I leave a lot from the Ragan Speechwriting Conference in Washington, DC every year. One of the legends there is the dean of speechwriting instructors, Dr. Jerry Tarver, a retired professor of speech communications who now heads Tarver Communications; he has written an article for the International Association of Business Communicators that takes issue with one dictum stressed in the famous book, Elements of Style, authored by William Strunk, Jr., and later added to by E.B. White. In the book, Strunk advises: "Write in a way that draws the reader's attention to the sense and substance of the writing, rather than the mood and temper of the author...place yourself in the background."
Mr. Tarver says this is probably good advice for many kinds of writing, but certainly not for speechwriting. "A speech generally needs personal language because it is delivered by a live human being," says Dr. Tarver. "Words," he adds, "should not sound, as Professor William Norwood Brigance put it, 'Like an essay standing on its hind legs.'"
Writers can get a speaker's character into a script in a variety of ways, says Dr. Tarver. Have the speaker say: "I know." "I talked to..." "I saw." "I learned." "I care." "I am sorry."
A good example of personalizing a speech is the famous case when Lee Iacocca took responsibility for Chrysler's having sold cars as new although they had been driven a few miles with the odometers disconnected.
Iacocca told his audience, "I'm damned sorry it happened, and you can bet that it won't happen again. And that's a promise."
Stories and Hollywood Insight
If we train, lead or sell we need to develop our storytelling abilities.
When we think of Hollywood, what we usually remember most are the moving, dramatic, and funny stories that movies tell. For at least four weekends I have sat at the feet of the great screenwriting teacher Robert McKee as he says, "Stories are the creative conversion of life itself into a more powerful, clearer, more meaningful experience. They are the currency of human contact."
When we interview and make heroes out of our audiences even better.
Begin, by interviewing your company "hero" and pull out every detail you can from him or her so that you can make his/her story interesting. Remember what the famed director Alfred Hitchcock used to say, "Movies are like real life with all the dull parts left out."
Use as many of their words as possible. For example, when I was interviewing Nancy Albertson from Sprint about her simple idea that made Sprint $13 million, my first question was "What is your title?" She replied, "I'm just a secretary. I guess you can call me a big gal with big ideas." Her story was brilliant and it came alive in the retelling as her actual conversation was used throughout.
Nancy told me she had given her teenage daughter her own phone and phone line for Christmas.
Her idea? Nancy suggested to her employer, "Why don't we suggest that
all our customers give each of their teenagers their own phone line?"
The program was called "Teen Line."
In fact, Nancy said, "I am the only person in the history of Sprint who has ever been given a second reward for the same idea.
It is much tougher to come up with ideas that MAKE money, rather than SAVE money."
Don't report on your conversation, repeat the actual words.
Laughter and Truth
John Cleese of Monty Python fame, once said about humor, "If I can get you to laugh with me, you like me better, which makes you more open to my ideas. And if I can persuade you to laugh at the particular point I make, by laughing at it, you acknowledge its truth."
From Idea Bank April newsletter.
For a sample email: francis@idea-bank.com
Speak in Pictures
Metaphors and analogies cut through confusion, resistance, and clutter faster than a hot knife through butter. For example, telling someone you are a clever, entertaining, high-payoff speaker is not as effective as saying you combine Lincolnesque wisdom with Rita Rudner's wit.
From Anne Miller's newsletter, to sign up: amiller@annemiller.com
Best wishes, Patricia Fripp
